Early last spring when nothing much was flowering, I watched the first blooms of the Everlasting Daisies on the median strips in our neighbourhood and on the daily commute taking my son to school. I watched the daisies follow the sun, close their petals against the rain, cloud cover and as the sun sets and open brightly again on sunny days. I documented them as they faded and went to seed. This coincided with my son’s final day of high school. Both with the promise and hope for new beginnings the following year.A year prior, on the last morning of Vicki Mason’s Fibres West class we learnt to make flower like brooches from computer wire. In July as we set up twentyONE+ there was a skip bin full of discarded computer equipment and cables near the gallery as the University was upgrading their technology systems.
It was a massive weekend. The brilliant showcase, seeing all the finalists garments, meeting up with new friends I have made through this competition, and enjoying the company of family and friends that came along to support me. AND, I’m absolutely thrilled that my entry Everlasting Love? won the Avant-Garde category in the Wearable Art Mandurah showcase last Saturday night.
There were some amazing artworks by TAFE Fashion and Floristry students in the foyer.
Due to a sell out show in 2016 a second show was also held on Sunday. In conjunction with this matinee show a DADAA initiative offered an enhanced performance for people who are blind or visually impaired. An audio description of the visual elements of the show via a personal headset was offered along with a pre-show tactile tour. We designers were given an opportunity to be involved in the Tactile Tour and asked to bring samples and leftover pieces of the materials we used to make our garments. These included wire, felt, doilies, cane, milk bottles, cool drink bottles, fabrics, wool, buttons and elements of artworks.The participants moved around the room to hear our “mini talks” about the making of our garments and descriptions whilst they touched and felt the materials. This was a very memorable and thought provoking experience for me and the other designers. So much attention in this very visual medium of Wearable Art is given to the story behind the work and the wow factor. It was an absolute pleasure to describe the details of the materials, textures, colours and construction to this very interested audience.
Sunday afternoon and the others are going to the footy. I should continue working on the canvas I have a deadline to finish, I feel like having a nap, I chose to visit Artwalk Freo… Best decision.
Artwalk Freo is a 4 km walking tour of home studios of eight well known Fremantle Artists, held last weekend. I visited six of the venues. Eveline Kotai, Jo Darbyshire, Annette Seeman and John Teschendorff, Ian de Souza, Penny Bovell and Trevor Richards.It was a delight to explore the lovely calm, light filled spaces in which these artists produce their work, see work in progress and materials of trade. Each artists’ home was filled with their own unique and interesting collections of books, objects, artworks, their own and those of others.Images are of Trevor Richards’ 1960’s house with its stunning terrazzo floors throughout (I understand built by the owner of the factory that produced much of the terrazzo flooring in Fremantle homes), and the original kitchen!Coincidentally, Down Under Textile magazine arrived today and I am thrilled that my own home studio is featured. As many people have already commented, it is very tidy…on this occasion 🙂
WA Inspired Art Quilters is a group of eight ladies:- Hilary Arber, Roberta Chantler, Meg Cowey, Pat Forster, Elizabeth Humphreys, Stephanie Knudsen, Stella King and Denise Mallon who have joined together to exhibit their work with West Australian inspired themes. Their first exhibition is currently on at Mundaring Art Centre. It was a cold and wet Saturday afternoon when the Quilt and Textile Study Group visited the exhibition and were given an inspiring and informative talk by one of their members Liz Humphreys.
It is very evident that the group have a love and appreciation of the Western Australian landscape, have all travelled widely and many lived in rural settings.
The exhibition consists of two Series of works:- Series – One Sand/Strata/Scheme/Salt & Series Two – Primary Production.
The exhibition runs until 18th June 2017.
My Mother’s Day gift was a 1 day WAFTA workshop with the lovely Katrina Virgona. 3D Textiles (or what the heck to do with an armature?!) I have admired Katrina’s work for some time and her piece “Emmeline” from twentyONE+ has pride of place in my studio.
The workshop was a great reassurance that I was generally on the right track with the few armatures I have made and has given me confidence to explore a range of wires, sizes and techniques for future projects…now happily sitting in the background until needed.
We also discussed the pros and cons of Instagram…I now have an Instagram account louisewellsartist
Everlasting Love? asks “If we continue to throw away our once loved technology for the latest bright shiny new thing, will we have room to plant flowers? Or will the only flowers be made from landfill contents?”
The 1000+ flowers in this garment are made from over 500m of UTP computer cable. The enclosed eight strands of wire were untwisted, stretched, dyed, wrapped, spray painted and assembled.
These images of the gorgeous Amy on judging day are by photographer Elle Norgard and courtesy of the City of Mandurah.
I’ve just seen the images of all the other finalists and I know the showcase is going to be amazing.
Here is a short video of 2016 showcase:-
To purchase tickets for 2017 showcase click here
Dates and Times:
Saturday 10th June 6.30pm
Sunday 11th June 2.30pm
Mandurah Performing Arts Centre
No longer a whisper, La Mariposa was revealed yesterday in a beautiful performance by Tash from DTX Studios in Perth’s Forrest Chase Mall.Wearable Art Whispers was the brain child of Anzara Clarke, a project involving seven artists from around Australia, each contributing to the garment. Each artist responded to the project theme “La Mariposa” from Clarissa Pinkola Estes book “Women Who Run With The Wolves” and the work of the previous artists. The artists in order are Deb Hiller (WA), Sue Sacchero (WA), Tanya da Silva (NSW), Philomena Hali (NT), Larissa Murdock (QLD), Stephanie Powell (NSW) and Louise Wells (WA)Each artist chose the area of the work they wanted to create and wow, seeing each piece up close they are all works of art. Deb – started the garment with a lovely velvet corset, beautiful details up close, Sue – a stunning skirt with panniers to give La Mariposa the hips she proudly wears, Tanya – a beautiful macrame necklace, Philomena – A felted dreadlocks headpiece with embroidered words relating to La Mariposa, Larissa – Delicate hand pieces distributing pollen, Stephanie – Wings, that are exactly as described in the text, Louise – A 2.8m cocoon made from recycled crochet doilies.We each has a month to design and create our section, followed by freighting to the next artist. We have a private Facebook page for up dates, show and tell, and support. I am really looking forward to meeting some of these women in a couple of months at Fibres West.As the last artist I had the pleasure of seeing the whole garment to conclusion. I chose to make La Mariposa a cocoon (more correctly a chrysalis) to emerge from, to start her journey. This is the first piece of work I have made with performance in mind as the initial concept. I was delighted that Tash could see my vision and brought her to life so beautifully. Still have goosebumps!
I attended another fantastic Wearable Art Mandurah judging day yesterday. The excitement and anticipation grows each year. I love the chance to catch up with the friends I have made through this competition and it’s the day you have the first opportunity to see many of the other amazing garments designers have entered. Here is a link to some images in the Mandurah Mail.Away from the studio, you see your own garment at its best. I was very fortunate to have the gorgeous Amy model for me and Duvah’s hair and makeup team did a beautiful job. The garment is called Everlasting Love?These images are quick snaps I took from behind the professional photographer…
This box arrived late last week. It has grown in size and accumulated address labels as it has travelled across Australia, through the middle, up and down the east coast and now back to Western Australia. Wearable Art Whispers is a project facilitated by artist Anzara Clarke and will be a part of Wearable Art Mandurah 2017. I am the last of seven artists to contribute to the project, each person adding their own unique piece to the garment, whilst responding to what has gone before. It was a delight to open the box and see the beautiful work the others have made. You, will have to wait…My Studio Supervisor is guarding the contents of this box.
And to really end – Last Saturday my High School celebrated its 50th year. It was wonderful to catch up with old friends and also to be reminded of where my immersion in art began. I attended a specialist art program here for five years along with every other art and sewing class I could wiggle my way into.
Aha and AHHHH…These are the words you want to hear from participants in your workshop. That lovely moment when something clicks or they can see a connection to what you are presenting and the type of work they already do…a new way of working, a slight twist, an “of course”… I’ve had all these moments myself at workshops and artist talks. Some of them are defining moments in my work. Often a small, seemingly insignificant part of the whole, has made the difference.
I had the great pleasure of running two half day workshops for WAFTA late last week. Simple Steps to Surface Design was part of a series of Textile Techniques Toolbox workshops to coincide with the launch of “Altered States” WAFTA’s member challenge exhibition. The challenge is to create a small work of art from the surprise contents of a bag of materials. These workshops are designed to inspire and expand possibilities.In my half day workshops we covered screen printing in various forms, gelli printing, stamping, spray stencils, fugitive medium, Dylon and RIT dyeing. A lot to cover in a few hours, just a taster to explore further if it was of interest. The participants made lots of A4 size samples – reference material for future work.I loved seeing my stencils and stamps used in ways I would never have thought of…how each participant explored new possibilities. I loved their delight when something surprised them and they were excited to explore further.