Altered States 2017 Members Exhibition has just opened at the Perth Town Hall showing until 23rd September.
Members were given the challenge to make a small art piece using the contents of a bag of stuff. Numbered bags were allocated on receipt of entry to the challenge. Most of the contents of each bag are very similar as you see below.In addition, each bag had a piece of op shop clothing. My bag had this black dress, complete with plastic rhinestones!There were only two rules:
1. Use a little or a lot of everything in the bag,
2. The final piece to be a maximum of 30cm x 30cm (2D) or 30cm x 30cm x 30cm (3D).
It has been fun, and also quite challenging for many of us to work with materials and colours that we wouldn’t normally consider. Some amazing ideas and works have resulted. My work is below. I’ve dyes and painted many of the items in the bag. You can see more of the works on the Altered States facebook page It is well worth a visit to the exhibition!Title: Trappings
Artist Statement: Known or imagined, recycled and preloved fabrics have an air of mystery, a previous belonging. This thick, black, stretchy, polyester fabric however, feels void of a story. Is it just part of the trappings of consumerism? Set to be among the never worn, never decomposing clothing destined for land fill.
Techniques: Hand Dyed, Coiled, Machine & Hand Stitch
I am delighted to have my work Dusk selected for Art Quilt Australia 2017 which has just opened in Launceston, Tasmania showing until 22 October.
Artist Statement Late in the afternoon, as the sun dips down, the golden light still glows as the sky gradually darkens to a deep indigo. Such a lovely time of day.
Would you like to enter Wearable Art Mandurah in 2018? I have loved being a part of this competition over the past four years. I’ve made lots of great friendships in this wonderful community of designers, and there are many many opportunities to have your work shown. Along with making my own garment for the 2018 competition, I am running a five month long – one day per month program WAFTA @ Wearable Art 2018 starting 30th September. This program is designed to help you step-by-step through the processes and challenges to create and enter your work in the upcoming 2018 competition. I’m going to share my successes and my disasters! We will cover:
- Concept development
- Material choices
- Tips and techniques
- Judging criteria
- Mentoring and instruction
- Pre-selection photography
- Artist statements
Suitable for Beginners, Tertiary Students, Groups (1 or 2 people) and Individuals.
It’s going to be loads of fun! I hope you can join us, places are filling fast!
Click here for further details
Stitched and Bound 2017 opened last Saturday, on a cold and wet afternoon, to a packed gallery. The exhibition of Innovative Contemporary Quilting consists of 36 jury selected works showing a large range of techniques and materials. It’s well worth a visit 🙂
I am delighted to have my piece Silver Linings #2 A Glimpse of Silver on show in the exhibition.These gallery images are were taken on the following morning. You couldn’t see the works from a distance at the opening!The exhibition is on at Zig Zag Gallery, Kalamunda until 30th July 2017
open Mon – Fri 9-4, Sat – Sun 10-4
I have just spent a wonderful week at Fibres West with the gorgeous tutor Canadian Artist Amanda McCavour in our class Experimental Surfaces: Machine Stitching and Unexpected Materials.I was drawn to attend Amanda’s class through her stunning installation works – and in hope that my previous failed attempts at machine embroidery using water soluble fabrics could be rectified.
I came to the class with a tonne of ideas, but put them aside to try samples of the techniques Amanda taught us. These first two days of technically successful samples became a solid foundation for my experiments and discoveries over the next three days.
We used Solvy, a water soluble “fabric”. Basically you stitch on the Solvy and as long as you have enough intersecting stitches, once you dissolve the Solvy the whole piece stays together, as a stitched line only. Sometimes easier said than done…
We sampled three types of Solvy, each useful for differing types of work. Firsty, sandwiching fibres, threads and small pieces of fabric.Using some scraps from my cut away workAs long as you capture these small pieces with stitch…it should all hold togetherAlternative materials such as security envelopes, poster card, acetate and paper held in place between two layers of sticky solvy.Stitchedand washed out And all stitchThis type of work can be light and airy or heavily stitched.I came to the workshop wanting to further explore cocoons and spent the remainder of the week working on this challenge. I wanted to make one complete cocoon, not having to join it in any way. This first attempt was too rounded at the top. So I started with the capsCreating a method for the peak and threadThen the baseTrialing the whole cocoon in one piece, adding some patternThen, consoling myself that the cocoon would need to be in two piecesTrialling a stainless steel/linen thread in the bobbin The cap
Work of others in the class – ClaireWendyJan The Group sample wall growing all weekThe classroom was a buzz with sewing machines (mostly Bernina) all week. Some, the price of a small car. Claire’s 1970s, vintage? model was much admired and worked beautifully all week. Such tough machines 🙂