Early last spring when nothing much was flowering, I watched the first blooms of the Everlasting Daisies on the median strips in our neighbourhood and on the daily commute taking my son to school. I watched the daisies follow the sun, close their petals against the rain, cloud cover and as the sun sets and open brightly again on sunny days. I documented them as they faded and went to seed. This coincided with my son’s final day of high school. Both with the promise and hope for new beginnings the following year.A year prior, on the last morning of Vicki Mason’s Fibres West class we learnt to make flower like brooches from computer wire. In July as we set up twentyONE+ there was a skip bin full of discarded computer equipment and cables near the gallery as the University was upgrading their technology systems.
It was a massive weekend. The brilliant showcase, seeing all the finalists garments, meeting up with new friends I have made through this competition, and enjoying the company of family and friends that came along to support me. AND, I’m absolutely thrilled that my entry Everlasting Love? won the Avant-Garde category in the Wearable Art Mandurah showcase last Saturday night.
There were some amazing artworks by TAFE Fashion and Floristry students in the foyer.
Due to a sell out show in 2016 a second show was also held on Sunday. In conjunction with this matinee show a DADAA initiative offered an enhanced performance for people who are blind or visually impaired. An audio description of the visual elements of the show via a personal headset was offered along with a pre-show tactile tour. We designers were given an opportunity to be involved in the Tactile Tour and asked to bring samples and leftover pieces of the materials we used to make our garments. These included wire, felt, doilies, cane, milk bottles, cool drink bottles, fabrics, wool, buttons and elements of artworks.The participants moved around the room to hear our “mini talks” about the making of our garments and descriptions whilst they touched and felt the materials. This was a very memorable and thought provoking experience for me and the other designers. So much attention in this very visual medium of Wearable Art is given to the story behind the work and the wow factor. It was an absolute pleasure to describe the details of the materials, textures, colours and construction to this very interested audience.
This box arrived late last week. It has grown in size and accumulated address labels as it has travelled across Australia, through the middle, up and down the east coast and now back to Western Australia. Wearable Art Whispers is a project facilitated by artist Anzara Clarke and will be a part of Wearable Art Mandurah 2017. I am the last of seven artists to contribute to the project, each person adding their own unique piece to the garment, whilst responding to what has gone before. It was a delight to open the box and see the beautiful work the others have made. You, will have to wait…My Studio Supervisor is guarding the contents of this box.
And to really end – Last Saturday my High School celebrated its 50th year. It was wonderful to catch up with old friends and also to be reminded of where my immersion in art began. I attended a specialist art program here for five years along with every other art and sewing class I could wiggle my way into.
Studio work has been sparse in the past few weeks. Writing seams to have taken over…Writing artist statements and bios, drafting ideas for a magazine article after the twentyONE+ exhibition, an application for a wearable art project and lots of emails. Other time has been sucked up with family/work priorities.
I have been slowly working on a new canvas… I’ve got back to the machine stitching steps in the past few days, now that I have my head around the article and application. The constant hum of the machine, the repetitive stitch is great thinking time…new ideas are sparked, formed and my mind can just wander…
At the same time I have a back log of interesting looking podcasts to listen to…another cup of tea? but I need to sew…I set the iPad up with headphones at the machine and listened to Alyson Stanfield‘s new podcast on TIME – how long it really takes to do things, how we dislike and avoid some areas in our arts practice, and how actually completing these things out of our comfort zone gives us the greatest sense of achievement. After an initial grumble to myself “why can’t I just quickly read this?” The machine stitch/podcast multitask worked very well, and of course the podcast was great.
It seams to be a theme for me of the past few days, also been reading Mark Manson articles. They are pretty gutsy…I like what he says about Passion – even when doing a job/project/whatever that you love and enjoy there will be a %, probably a biggish % of it that you are really not going to enjoy…
Although I’m not making much at the moment, the result of what I was doing in May/June have come back with great news. I was delighted to receive notification that two of my works were selected for Australia Wide 5 presented by Oz Quilt Network. Australia Wide 5 will be launched at Bunbury Regional Art Galleries at 6pm on Friday, 23 September 2016.
And on Monday afternoon I was surprised and delighted to find out my garment “The Gilded Cage” won the “Red Light Review” category of the Worn Art Revamped show in Broome over the weekend. Very excited that I have been awarded a prize by Merc Electrical WA of a Broome Pearl! supplied by Camdons Broome Pearl and Fine Jewellery. What a pity it doesn’t include traveling to Broome to collect it 🙂