Aha and AHHHH…These are the words you want to hear from participants in your workshop. That lovely moment when something clicks or they can see a connection to what you are presenting and the type of work they already do…a new way of working, a slight twist, an “of course”… I’ve had all these moments myself at workshops and artist talks. Some of them are defining moments in my work. Often a small, seemingly insignificant part of the whole, has made the difference.
I had the great pleasure of running two half day workshops for WAFTA late last week. Simple Steps to Surface Design was part of a series of Textile Techniques Toolbox workshops to coincide with the launch of “Altered States” WAFTA’s member challenge exhibition. The challenge is to create a small work of art from the surprise contents of a bag of materials. These workshops are designed to inspire and expand possibilities.In my half day workshops we covered screen printing in various forms, gelli printing, stamping, spray stencils, fugitive medium, Dylon and RIT dyeing. A lot to cover in a few hours, just a taster to explore further if it was of interest. The participants made lots of A4 size samples – reference material for future work.I loved seeing my stencils and stamps used in ways I would never have thought of…how each participant explored new possibilities. I loved their delight when something surprised them and they were excited to explore further.
I am really looking forward to seeing all that comes from this.
Last week I received this comment on my blog…
“I was browsing through google images for screen print textures and I fell in
love with yours! I was wondering if you’ll grant me permission and allow me
to incorporate one your photos above in a personal project of mine…”
Firstly, I really appreciate that she asked for my permission to use the image. When I found out a little more about her project I was delighted to see what she was doing and happy for her to go ahead.
Sabrina Lam is from British Columbia, Canada and is a second year Communication Design student at Emily Carr University of Art + Design. Here is Sabina’s completed album cover design.
My original image below is one of the samples I made in The Colour Project I stamped a rubber mat directly onto hand dyed fabric.
Another of my colour samples was used with permission on this book cover. It still amazes me how people randomly find the images through google…
I love how The Colour Project continues to live on. The project was a year long investigation into “textile techniques” where I made a small sample of work everyday in 2012. Each month I chose a different colour for the samples. The result for me, was that it got all the techniques I was wanting to try “out of my system”. I no longer have the need nor desire to purchase or try everything textile wise that is out there and it’s a great reference source.
I am delighted it has also inspired others to do their own version of a project like this… A friend of mine is currently exploring circles…The make something everyday idea is not mine, it’s stolen and adapted from many other sources such as a photograph a day, a quilt block a week etc…Simply a way to get working…small chunks at a time. Austin Kleon describes it here Say something small every day. My suggestion would be to chose something specific, reducing the decisions you need to make each day to get started. I committed to a colour each month, I also followed techniques and themes such as hand embroidery stitches, natural dyeing, recycling, soy wax, paper folding…
I hope you give it a go, and if you do, I’d love to hear from you!
I took a planned week away from Wearable Art to work in my garden, planting a small area where the kids cubby house has recently been removed and weeding, weta soiling, mulching…much needed for our Perth summer.
In the garden I found the Sun Dyeing jars prepared a month earlier. Three jars of purple carrots. I placed silk scraps from previous projects in each, some were stitched with poly cotton thread, some screen printed. The colours are lovely soft purples and the jar with soda ash added is a beautiful silver grey. This jar popped open and the carrots were rather mushy (maybe a little too long in the sun)
Another jar of berries from a neighbours tree stunk out the house when I opened it. I washed the silk several times and still had to leave it outside for days AND rewash before the smell is bearable. Any suggestions for removing bad smells from silk would be appreciated. The jar had been out for near on a year, the colour was honey like. I won’t bother with that again.Coincidentally, Selvage Magazine has an article in the latest issue No.67 “Fragranced Fibres” about the history of perfumed fibres. Fragrance used in the final stages to disguise the foul smelling dye processes, during laundering and in storage chests to reduce insect damage.
I do love this lazy dyeing. I have refilled the jars, added a few more purple carrots, beetroot and avocado pips. There is almost instant colour in the carrots and beetroot jars and nothing in the avocado jar on the right. Clearly doing something wrong here. 🙁These jars with soda ash are on a chair so the puppy (short legged Dachshund) can’t get to them!
With the plan to start working on my wearable art piece again last week, my son Callum had two days of vomiting and then my husband who had just thankfully arrived safely home from Brussels and Italy, developed acute pain, a trip to the emergency dept of the local hospital, they suspect he passed a kidney stone. All plans astray, refocus on the most important thing – my family.
WAFTA members had the great pleasure to visit WAFTA Life Member Trudi Pollard‘s Studio recently. Trudi has an amazing studio set in the Perth hills with gorgeous views over a local dam.Trudi is a talented textile artist and exceptionally knowledgeable natural dyer. She has created a large “Colour Garden” as her resource for dyeing. Along with the traditional Indigo, madder etc and the Australian eucalyptus varieties, Trudi introduced us to many common introduced plants that give wonderful colour. Jars of Sun Dyeing fabrics – Mulberries, Purple Carrots…
The drawing area inside Trudi’s StudioBeautiful colour range of naturally dyed silks
A visit or workshop with Trudi is always a treat. Her passion and enthusiasm for natural dyeing rubs off, this visit, inspiring me to do a bit of sun dyeing. Purple carrots + silk + sun + time = …
Thank you Trudi and Helena for great afternoon.
We have had a wet and stormy weekend in Perth. After a few weeks of trialling samples for my latest work, Sunday was the perfect day to stay indoors and get on with it!
Over a month ago I cut out these paper doilies whilst watching TV. Simply cutting, not with any great consideration to the result, just playing. They sat pinned to the design board for a few weeks and then I have trialled printing, stamping, reworking, stitching, redrawing. On Friday I dyed a batch of fabrics to bring the colours to something tonally similar. I used a dylon multipurpose dye as some are silks, some blends of other things.This image doesn’t show the full range of fabrics I dyed. Some were strong pinks and bright greens. The error in photography after the event… A final six motifs were planned and initially printed. A little more refining and stitching and I decided to use the two strongest motifs only. I printed about 100 of these motifs in just over an hour. While I was cleaning up the screens in the laundry, I noticed some colour on this stormy grey day. The last of the leaves of our neighbour’s Chinese Tallow Tree and an orange creeper. The greens in our own backyard were also more vibrant, not washed out by the sun. Then the sun came out…Stunning, glistening, autumn leaves. After the stormy night I am sure there are very few leaves left on the tree now.There was more vivid orange in our lentil soup cooking on the stove as I printed. What a contrast to my fabric choice!
I am starting a new piece of work for an exhibition and one of the first steps is to make some transfer prints. The process of making the print involves applying dispersal dyes to a piece of paper and when dry, ironing the print onto fabric. The dyes on the paper are lovely muted colours, the heat process changes the print to rich, vibrant colour. As you will see below, not always in the direction you expect!
I do know however after years of trial and error that the colour combinations I use will have a fairly predictable pleasant result. Most of the texture markings are from old lace. The dyes are very economical so I haven’t bought any for a long time. I purchased some online a little while ago assuming I was getting similar, good mixing colours. Using my standard “Surprise Mix” technique, I have ended up with darker and more brown/orange shades than I had hoped. The challenges of colour selection via computer screen.
So, Back to the Basics. Testing and mixing samples. I started with a standard mix of each colour, including the set of textile crayons I use for texture rubbings. Dyes are Turquoise, Royal Blue, Scarlet, Violet and Canary Yellow.
Next I made a set of each colour combination, 1:1, 1:2 & 1:3 mixes. The paper is on the left, the fabric on the right, mirror image.
It is now much clearer what colour possibilities are available, AND that I need to order some Magenta! I hope it is brighter than the computer screen sample suggests…
Cushion with green leaf print is by Callum
The Massive Distraction (Mini Dachshund named Ruby) has arrived and truly settled into our household. Here she is with ownership of her spot on the couch in my studio. She is very well behaved for a puppy, although a gorgeous distraction from getting any sort of work done.
School has now commenced for the year and although that means less time due to the various work/school routines and
being a taxi service after school commitments, I do find I actually achieve more. I know sometimes that odd hour before dinner prep is the only opportunity to get some printing or machine stitching done. I plan time ahead for the other steps required to start new work. This is often much more productive than giving me a whole free day to work which gets wasted on important stuff like emails and washing. I also find the time spent doing mundane things like driving in the car, going for a walk or having a shower is when the creative challenges are resolved. In my head anyway!
A simple set up on the washing machine, in the laundry, but it works well.
These were printed a couple of days ago for a new large canvas I have in mind.
Yesterday afternoon I made a series of transfer prints for the under layer. The actual fabrics are lovely, the colours here are a bit off – I had the time to print although not enough time to photograph them well. I have a few projects on the go at present and now back into my usual routine, I am feeling quite good about them.
This book arrived in my post box late last week
In May last year, I was asked by a graphic designer at a publishing house in USA who was working on a cover for a forthcoming book on the Phoenicians if he could use one of my images as part of the book cover. The image he wanted to use was one of the purple samples from my Colour Project. The Phoenicians were know for among other things, their trade in the famous purple dye from the Murex shell.
Purple dye is very rare in nature and was therefore only available to the wealthy and privileged. Tyrian Purple from the Murex shellfish was found in the Lebanon area of Tyre and extracted from the glands of the Murex shellfish. In 1685 William Cole described the sun sensitive colour process of the shellfish that gave purple dye/pigment. …if dye is placed in sun it changed colour – white (milk), light green, deep green, dull sea green, watched(blue), purplish re, deep purple red… It leaves a fishy garilcy smell – even centuries later it can determine where the fabric is from by the smell when it is rubbed.
I think this quote is from the excellent book Colour – Travels Through the Paintbox by Victoria Findlay. Unfortunately I didn’t record the source in my purple colour notes.
My work used for book cover
My sample was made by printing discharge paste through a thermofax screen on commercially dyed Dupion silk.
The graphic designer has changed the colour slightly to bring it a bit closer to Tyrian purple. The shell on the cover is of course a Murex Shell.
I am constantly surprised and delighted how Google allows us to find each other across the world.