It was a massive weekend. The brilliant showcase, seeing all the finalists garments, meeting up with new friends I have made through this competition, and enjoying the company of family and friends that came along to support me. AND, I’m absolutely thrilled that my entry Everlasting Love? won the Avant-Garde category in the Wearable Art Mandurah showcase last Saturday night.
There were some amazing artworks by TAFE Fashion and Floristry students in the foyer.
Due to a sell out show in 2016 a second show was also held on Sunday. In conjunction with this matinee show a DADAA initiative offered an enhanced performance for people who are blind or visually impaired. An audio description of the visual elements of the show via a personal headset was offered along with a pre-show tactile tour. We designers were given an opportunity to be involved in the Tactile Tour and asked to bring samples and leftover pieces of the materials we used to make our garments. These included wire, felt, doilies, cane, milk bottles, cool drink bottles, fabrics, wool, buttons and elements of artworks.The participants moved around the room to hear our “mini talks” about the making of our garments and descriptions whilst they touched and felt the materials. This was a very memorable and thought provoking experience for me and the other designers. So much attention in this very visual medium of Wearable Art is given to the story behind the work and the wow factor. It was an absolute pleasure to describe the details of the materials, textures, colours and construction to this very interested audience.
Everlasting Love? asks “If we continue to throw away our once loved technology for the latest bright shiny new thing, will we have room to plant flowers? Or will the only flowers be made from landfill contents?”
The 1000+ flowers in this garment are made from over 500m of UTP computer cable. The enclosed eight strands of wire were untwisted, stretched, dyed, wrapped, spray painted and assembled.
These images of the gorgeous Amy on judging day are by photographer Elle Norgard and courtesy of the City of Mandurah.
I’ve just seen the images of all the other finalists and I know the showcase is going to be amazing.
Here is a short video of 2016 showcase:-
To purchase tickets for 2017 showcase click here
Dates and Times:
Saturday 10th June 6.30pm
Sunday 11th June 2.30pm
Mandurah Performing Arts Centre
I attended another fantastic Wearable Art Mandurah judging day yesterday. The excitement and anticipation grows each year. I love the chance to catch up with the friends I have made through this competition and it’s the day you have the first opportunity to see many of the other amazing garments designers have entered. Here is a link to some images in the Mandurah Mail.Away from the studio, you see your own garment at its best. I was very fortunate to have the gorgeous Amy model for me and Duvah’s hair and makeup team did a beautiful job. The garment is called Everlasting Love?These images are quick snaps I took from behind the professional photographer…
This box arrived late last week. It has grown in size and accumulated address labels as it has travelled across Australia, through the middle, up and down the east coast and now back to Western Australia. Wearable Art Whispers is a project facilitated by artist Anzara Clarke and will be a part of Wearable Art Mandurah 2017. I am the last of seven artists to contribute to the project, each person adding their own unique piece to the garment, whilst responding to what has gone before. It was a delight to open the box and see the beautiful work the others have made. You, will have to wait…My Studio Supervisor is guarding the contents of this box.
And to really end – Last Saturday my High School celebrated its 50th year. It was wonderful to catch up with old friends and also to be reminded of where my immersion in art began. I attended a specialist art program here for five years along with every other art and sewing class I could wiggle my way into.
My week started out with some great things happening, like my Wearable Art Mandurah 2017 garment getting through the pre-selection stage and now heading to the Judging Day in April and a small piece I have been working on becoming “resolved”…not finished, but ready to be assembled together.Great sadness followed as we made the necessary decision to say goodbye to our 16 year old Golden Retriever Austin. Difficult beyond belief. He passed away peacefully in his favourite spot in the garden surrounded by the family and with the help of a home visit vet.
We all shared our favourite stories of Austin over a glass of wine early that evening. Then at a complete loss of what to do what to do with myself, I returned to the rag rug that I started making in January when I was also at a loss. At that time finding it really hard for a number of reasons to get started doing any new artwork. A practical rug made from old t-shirts for our family room floor, simple, repetitive, few decisions needing to be made and holding no arty angst. The making routine got me started again. I’ll be sharing the making of this rug soon if you want to make your own.
Firstly a transformation of the studio into boudoir for our friends from Sydney for a long weekend. It’s amazing what you find when you have a good clean up…
Five lovely days including an unheard of visit to the beach on a Monday morning…what an extravagance. The beach and weather stunning – it was meant to be 🙂
Then the submission of my 2017 entry for Wearable Art Mandurah WAM. The work has been finished for a while, photos taken, but pressing that “submit” button…it’s when you let go of your work.
On Saturday I gave a talk to the WAFTA WASG (Wearable Art Study Group) about my journey and experiences over the past 4 years making wearable art followed by a mini workshop.A simple way to start making Wearable Art – Discover the possibilities of upcycling your recycling bin!
Participants worked directly on dress forms, playing with recycled materials. Using pins, staples and masking tape to speed up the process.
It’s always interesting to see a garment develop on a body shape. You can do lots of drawings and designs, but when you place the items on a body form it comes to life.
All the participants made wonderful and unique starts to wearable art garments, including two 10 year old girls present by default. I could see the start of some wonderful garments for the 2018 WAM competition!
The workshop reminded me that I really enjoy teaching, something that I have been pushing aside for a long time.
Christmas is just around the corner and this week I am in full swing preparing lists, shopping, cleaning and cooking. I’ve had the blinkers on Christmas up until now. Over the weekend, I (95%) finished my Wearable Art Mandurah (WAM) garment and cleaned up the studio. I have been working on this garment solidly for the past three months. Although not due until mid February I gave myself a Christmas deadline. I find it is really necessary to allow my work to “sit” for a while…time to consider how to finish, does it work? will it hold together 🙂 I know I can’t work well up against a last minute deadline. The nature of my work doesn’t allow for this and the stress caused is not worth it.
This Brain Pickings article arrived in my Facebook feed today and beautifully sums up why.
Acts That Amplify: Ann Hamilton on Art, the Creative Value of Unproductive Time, and the Power of Not Knowing
From Anne Hamilton’s essay “Making not Knowing”
One doesn’t arrive — in words or in art — by necessarily knowing where one is going. In every work of art something appears that does not previously exist, and so, by default, you work from what you know to what you don’t know. You may set out for New York but you may find yourself as I did in Ohio.
I find this happens in my work, a seemingly brilliant idea in my head, in reality, goes completely astray…the completed work becoming quite different to my initial imagining.
But not knowing, waiting and finding — though they may happen accidentally, aren’t accidents. They involve work and research. Not knowing isn’t ignorance. (Fear springs from ignorance.) Not knowing is a permissive and rigorous willingness to trust, leaving knowing in suspension, trusting in possibility without result, regarding as possible all manner of response. The responsibility of the artist … is the practice of recognizing.
This is the challenging part – the trusting in possibility…time allows for this, it can’t be rushed for a deadline. It appears when ready…ideas and connections come when I’m in the shower, driving the car…
So, this week I prepare for Christmas, next week watch the cricket, read books, see friends, relax…
Last week when I dropped my son Callum to work at Para Quad waiting to speak to his Supervisor, I had a chat with the chap who sorts the buttons…Every garment that is unsuitable for sale has its buttons removed and the fabric is cut up for industrial rags in another section at Para Quad. The buttons are sorted into colours and jars for sale through the shop and the Scroungers Sale (next one is 27th November – get there early!) There is a huge plastic storage box under this table full of buttons to be sorted.I started making button necklaces about five years when I acquired my Mother-in-Law’s button collection, working with the colours and combinations available until I ran out of buttons…I purchased a jar of white buttons from Para Quad last year.Stepping forward to a few weeks ago and my Wearable Art Mandurah garment for 2017 needed yellow buttons, lots of yellow buttons…I had recently discovered through a Google search that RIT DyeMore Synthetic dye gives good permanent colour to plastics. I was delighted to see my white buttons become bright yellow after only a few minutes in the dye bath.
Studio work has been sparse in the past few weeks. Writing seams to have taken over…Writing artist statements and bios, drafting ideas for a magazine article after the twentyONE+ exhibition, an application for a wearable art project and lots of emails. Other time has been sucked up with family/work priorities.
I have been slowly working on a new canvas… I’ve got back to the machine stitching steps in the past few days, now that I have my head around the article and application. The constant hum of the machine, the repetitive stitch is great thinking time…new ideas are sparked, formed and my mind can just wander…
At the same time I have a back log of interesting looking podcasts to listen to…another cup of tea? but I need to sew…I set the iPad up with headphones at the machine and listened to Alyson Stanfield‘s new podcast on TIME – how long it really takes to do things, how we dislike and avoid some areas in our arts practice, and how actually completing these things out of our comfort zone gives us the greatest sense of achievement. After an initial grumble to myself “why can’t I just quickly read this?” The machine stitch/podcast multitask worked very well, and of course the podcast was great.
It seams to be a theme for me of the past few days, also been reading Mark Manson articles. They are pretty gutsy…I like what he says about Passion – even when doing a job/project/whatever that you love and enjoy there will be a %, probably a biggish % of it that you are really not going to enjoy…
Although I’m not making much at the moment, the result of what I was doing in May/June have come back with great news. I was delighted to receive notification that two of my works were selected for Australia Wide 5 presented by Oz Quilt Network. Australia Wide 5 will be launched at Bunbury Regional Art Galleries at 6pm on Friday, 23 September 2016.
And on Monday afternoon I was surprised and delighted to find out my garment “The Gilded Cage” won the “Red Light Review” category of the Worn Art Revamped show in Broome over the weekend. Very excited that I have been awarded a prize by Merc Electrical WA of a Broome Pearl! supplied by Camdons Broome Pearl and Fine Jewellery. What a pity it doesn’t include traveling to Broome to collect it 🙂