Delightful Distractions

As I slog through the “middle part” (= many, many, many hours at the sewing machine) of my current work with my self imposed deadline fast approaching, procrastination and distractions are extremely tempting. One delightful distraction last weekend was the inaugural exhibition of The December Gallery. Jan Mullen and Annie Shelley present a stunning body of work, Annie’s beautiful tonal drawings, perfectly complement Jan’s work. I’ve been following Jan’s blog on the development of these series’ of works she has on show and I admire them even more knowing the thinking and work behind them.
 My son Callum participated in the Disabled Surfers Association program at Leighton beach on Saturday morning… I need to mention here my great respect for volunteers. The Disabled Surfers Association is a very well run program with loads of volunteers of all ages giving people with disabilities a wonderful opportunity for a safe and successful surfing experience. Callum loves it and looking at the photos so does everyone else.This gave me the chance to see the Fremantle Art Centre Christmas Bazaar.
My afternoon continued with visits to Midland Junction Arts Centre to see Eco Echo by Fibrant group and the Felt West pop up shop.
My work has not progressed as far as I had planned this weekend. There are 100s more of these required before I can proceed to the next step, but my love of why and what I do has been restored.

WAFTA @Wearable Art Mandurah 2018

Would you like to enter Wearable Art Mandurah in 2018? I have loved being a part of this competition over the past four years. I’ve made lots of great friendships in this wonderful community of designers, and there are many many opportunities to have your work shown. Along with making my own garment for the 2018 competition, I am running a five month long – one day per month program WAFTA @ Wearable Art 2018 starting 30th September. This program is designed to help you step-by-step through the processes and challenges to create and enter your work in the upcoming 2018 competition. I’m going to share my successes and my disasters! We will cover:

  • Concept development
  • Material choices
  • Tips and techniques
  • Judging criteria
  • Mentoring and instruction
  • Pre-selection photography
  • Artist statements

Suitable for Beginners, Tertiary Students, Groups (1 or 2 people) and Individuals.

It’s going to be loads of fun!  I hope you can join us, places are filling fast!

Click here for further details

The Making of Everlasting Love?

Early last spring when nothing much was flowering, I watched the first blooms of the Everlasting Daisies on the median strips in our neighbourhood and on the daily commute taking my son to school. I watched the daisies follow the sun, close their petals against the rain, cloud cover and as the sun sets and open brightly again on sunny days. I documented them as they faded and went to seed. This coincided with my son’s final day of high school. Both with the promise and hope for new beginnings the following year.A year prior, on the last morning of Vicki Mason’s Fibres West class we learnt to make flower like brooches from computer wire. In July as we set up twentyONE+ there was a skip bin full of discarded computer equipment and cables near the gallery as the University was upgrading their technology systems.

The idea for Everlasting Love? came from these connections –
Our everlasting love with bright shiny new technology, often quickly discarded is resulting in landfill. Will future generations be planting everlasting daisies made from plastic coated copper wire from computer cables as our environment carries this burden of waste?
My vision was a wearable carpet of everlasting flowers.
Each of the 1000+ flowers in this work have been created using UTP computer cabling.
The blue plastic covering was stripped away, the paired wires were untwisted using a cordless drill, then stretched and dyed pink.The flower shapes were then spray painted in three shades of pinkOver 500m of cabling was used. I tried several materials to create the desired “skirt/train” shape and background for the flowers, eventually settling on chicken wire for the lightness and transparency.The “skirt/train” is clipped to adjustable shoulder straps and connected to large metal rings across the waist. The challenge was to make this comfortable for the model as well as quick and easy to remove. The corset has a side zip as well as adjustable lacing. Through experience in wardrobe I know you need the quick change option of a zip. Recycled buttons from Para Quad were hand dyed yellow for the flower centres and pink for the flower buds.
There were lots of trials for the flower buds.The final version being on an armature from wire, felt and sari silk to cover the shoulder straps.
 The completed carpet of flowers.

Artwalk Freo – Getting out of the studio

Sunday afternoon and the others are going to the footy. I should continue working on the canvas I have a deadline to finish, I feel like having a nap, I chose to visit Artwalk Freo… Best decision.
Artwalk Freo is a 4 km walking tour of home studios of eight well known Fremantle Artists, held last weekend. I visited six of the venues. Eveline Kotai, Jo Darbyshire, Annette Seeman and John Teschendorff, Ian de Souza, Penny Bovell and Trevor Richards.It was a delight to explore the lovely calm, light filled spaces in which these artists produce their work, see work in progress and materials of trade. Each artists’ home was filled with their own unique and interesting collections of books, objects, artworks, their own and those of others.Images are of Trevor Richards’ 1960’s house with its stunning terrazzo floors throughout (I understand built by the owner of the factory that produced much of the terrazzo flooring in Fremantle homes), and the original kitchen!Coincidentally, Down Under Textile magazine arrived today and I am thrilled that my own home studio is featured. As many people have already commented, it is very tidy…on this occasion 🙂

 

 

Making art …

Monets Garden 1 On Saturday we saw I, Claude Monet. A rather slow moving, although very interesting film of images of Monet’s work and photographs of his family, friends and home with voice over reading from his letters and diaries. Throughout the movie, he expressed his exhaustion and his frustration with his work…all his life. He lived in dire poverty for many many years and never truly felt he did much work of great value!
I think to most of us his garden and Les Nymphéas (The Water Lilies)…say otherwise.The Water LiliesHere is little Olivia on our visit in 2008. Here is a short video of at the  Musée de l’Orangerie Monets Garden 5Monets Garden 2Monets garden 7Monets garden 6The WAFTA general meetings started for 2017 on Sunday after a two month gap. It was lovely to catch up with new and old friends and we had an interesting talk by Canadian artist Laura Vickerson.

Yesterday we photographed works for two exhibition entries. One was a reshoot as I was never really happy with the white background we had used previously. I loved the detail shots, but when the full work was viewed on a computer screen it kind of got lost in the background. If you can imagine a 1.5m work the size of a gift card, the fine details appeared as one dull colour. We shot it with a black background yesterday and with the greater contrast, it came alive.

I’ve been hand stitching solidly for a couple of weeks on the second piece. An often asked question is “How long did that take you to make?” Well, completing the hand stitch alone, I caught up with all the TV shows I had recorded, finished Wolf Hall DVD Series and the entire final season of Downton Abbey. The listening and glancing TV watching technique of course.

I’ve just got a bit more paperwork to finish and then dive into the next work.
The past few nights I have ironed all the recent purchase of op shop ties ready to start working with.March 1 035