I have just spent a wonderful week at Fibres West with the gorgeous tutor Canadian Artist Amanda McCavour in our class Experimental Surfaces: Machine Stitching and Unexpected Materials.I was drawn to attend Amanda’s class through her stunning installation works – and in hope that my previous failed attempts at machine embroidery using water soluble fabrics could be rectified.
I came to the class with a tonne of ideas, but put them aside to try samples of the techniques Amanda taught us. These first two days of technically successful samples became a solid foundation for my experiments and discoveries over the next three days.
We used Solvy, a water soluble “fabric”. Basically you stitch on the Solvy and as long as you have enough intersecting stitches, once you dissolve the Solvy the whole piece stays together, as a stitched line only. Sometimes easier said than done…
We sampled three types of Solvy, each useful for differing types of work. Firsty, sandwiching fibres, threads and small pieces of fabric.Using some scraps from my cut away workAs long as you capture these small pieces with stitch…it should all hold togetherAlternative materials such as security envelopes, poster card, acetate and paper held in place between two layers of sticky solvy.Stitchedand washed out And all stitchThis type of work can be light and airy or heavily stitched.I came to the workshop wanting to further explore cocoons and spent the remainder of the week working on this challenge. I wanted to make one complete cocoon, not having to join it in any way. This first attempt was too rounded at the top. So I started with the capsCreating a method for the peak and threadThen the baseTrialing the whole cocoon in one piece, adding some patternThen, consoling myself that the cocoon would need to be in two piecesTrialling a stainless steel/linen thread in the bobbin The cap
Work of others in the class – ClaireWendyJan The Group sample wall growing all weekThe classroom was a buzz with sewing machines (mostly Bernina) all week. Some, the price of a small car. Claire’s 1970s, vintage? model was much admired and worked beautifully all week. Such tough machines 🙂